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A dark woman, head bent, listening for something

-- a woman’s voice, a man’s voice or

voice of the freeway. Night after night, metal streaming downcoast,

past eucalyptus, cypress, agribusiness empires

THE SALAD BOWL OF THE WORLD, gurr of small planes

dusting the strawberries, each berry picked by a hand

in close communion, strawberry blood on the wrist,

Malathion in the throat, communion,

the hospital at the edge of the fields,

premature slipping from unsafe wombs,

the labor and delivery nurse on her break  watching

planes dusting rows old pickers.

Elsewhere declarations are made:  at the sink

rinsing strawberries flocked and gleaming, fresh from market

one says: “On the pond this evening is a light

finer than my mother’s handkerchief

received from her mother, hemmed and initialed

by the nuns in Belgium.”

One says:    “I can lie for hours

reading and listening to music. But sleep comes hard.

I’d rather lie awake and read.”   One writes:

“Mosquitoes pour through the cracks

in this cabin’s walls, the road

in winter is often impassable,

I live here so I don’t have to go out and act,

I’m trying to hold onto my life, it feels like nothing.”

One says: “I never knew from one day to the next

where it was coming from:  I had to make my life happen

from day to day.  Every day an emergency.

Now I have a house, a job from year to year.

What does that make me?”

 

   ::       ::          ::        ::          

 

I was born a month early. I weighed five pounds.

The doctor said, “If she loses weight we’ll put her in the incubator for a few days but if she gains weight, she can go home.”

He never told me when to stop.

It’s a true story. But the joke is mine.

It’s something that you learn when you are a fat kid. Make the joke before anyone else can. Then maybe they’ll leave you alone. Or, if you’re funny enough, and you make them laugh enough, they may even be your friend. Which is nice of them since they have to endure the embarrassment of being seen with you.

If you don’t make the joke you’re one of the kids who runs home. Trying to stay away from the boys who poke at your legs with sticks. You pile onto your bed. A lump. You squeeze into yourself and you cry.

The first thing, before I could even inhale and exhale they decided my weight was an issue.

Welcome to the difficult world.

 

 

                 Conversation

 

 

This is a call and response.

Each section opens with parts of the poem

An Atlas of The Difficult World

                      by Adrienne Rich

    ::   ::   ::  ::

And the parts that follow are my responses.

 

 

 

 

 

 

 

Within two miles of the Pacific rounding

this long bay, sheening the light for miles

inland, floating its fog through redwood rifts and over

strawberry and artichoke fields, its bottomless mind

returning to the same rocks, the same cliffs, with

ever-changing words, always the same language

--- this is where I live now.    If you had known me

once, you’d still know me now though in a different

light and life.   This is no place you ever knew me.

                     ::  ::  ::  ::  ::  ::  ::

When I cannot endure the self I have created, I move. I look to geography for salvation. I adopt a culture.

For a while I wore hip hugging blue jeans and tye-dyed t-shirts, work boots and never a bra or underwear. For a while I wore Levies and Tony Llamas and embroidered cowboy shirts. And sometimes a Stenson. I wore long drawstring calico skirts and Birkenstocks and had my head shaved by a holy man on a riverbank. I wore black pants and black shirts and black boots and black socks and black underwear and a black bra and I never went above Fourteenth Street.

But the pressure would build and I’d go somewhere else and change my uniform.

I thought: maybe the mountains and so I went there and I stood at my window and marveled at how many stars were visible. I walked over rocks. My skin got dry. My lungs pulled at the oxygen thin air.

I thought: maybe the city. And I walked faster and faster through the crowds because I learned where I was going and exactly how to get there and the fastest way to get there. And I looked at the full moon night and stopped walking. I stood just a few feet away from the row of cardboard houses against the black metal fence and I was there but I wasn’t making it.

I thought: maybe the bay.

This is where you think you know me now.

But no geography has closed around me. All uniforms begin to itch. My body is still the same.

I think: maybe a small town in the middle.

Or the smaller city I rejected.

Or nearer to my mother. She’s older now.

 

 

I wonder if this is a white mans madness,

I honor your feelings and leave it at that.

 

I was worried about people of Arab decent and those who looked as if they might be. Stories were circulating daily about hate crimes, an old man in Oakland had been attacked, mosques were vandalized.

My mother asked, “ Are there any Muslims at your school?”

“Yes mom. I know some Muslims.”

“ Well, just be nice to them.”

She meant, be afraid. Don’t antagonize. They can’t be trusted. But I wanted to be nice. I wanted to be clear that I did not assume or project anything about them.

I was sitting at a table on the patio because I was smoking. I smoke when I am sad, or angry. I smoke when I feel helpless.

A young woman with almond skin and long black hair was walking toward me. Except for the logo loyal generic clothing she wore, she looked like a person from any number of Arab countries. I smiled a welcome.

“ I thought you might be interested in this.” She said sweetly and she handed me an orange flyer. It was an advertisement for an MLM company with a health kit, AKA diet plan. In a corner text box a name and telephone number had been hand written. I imagine it was hers.

“ Oh. No. No thank you” I tried to sound as sweet as she had.

She nodded and walked away.

No worries about assumptions or projections. I was fat. I must be interested in a diet product. I must not know that I can lose weight. I must not have tried.

There’s nothing wrong with that, is there? Approaching a total stranger and suggesting that they change an attribute of their physicality, that’s OK. She was just worried about my health.

I pulled deeply at the end of my smoke and hissed the exhale through my nose. 

 

XII

What homage will be paid to a beauty built to last

from inside out, executing the blue prints of resistance and mercy

drawn up in childhood, in that little girl, round-faced with

                       clenched fists, already acquainted with morning

in the creased snapshots you gave me?   What homage will be

                           paid to beauty

that insists on speaking truth, knows the two are not always the

                        same

beauty that won’t deny, is itself an eye, will not rest under

                        contemplation?

               ::          ::          ::         ::

Sunday, after the fat women’s swim, I adopt my locker room vision. I keep my eyes focused on the shower handle, my clothing, my image in the mirror. But I see them out of the corner of my eyes. Rounded forms, rippled flesh, they are drying themselves, laughing, making plans to go to lunch.

I remember my mother’s body while she changed her cloths. I remember it in stages, ageing, a new vein popped out on a calf, a scar raised along the back of a knee. Her belly rose and fell with each diet trend. It was my mother’s body. I never thought about it in terms of beauty. It just was the geography of her life.

I am taller. I am broader. I lean down now when I kiss her goodbye. But sometimes I smell like her. My fingers look like hers.

When I was twelve I did my first diet. I stood in front of the mirror in our hall and sucked in my stomach. I arched my back and admired my breasts. I had the power of youth. I was beauty.  Now I have scars, and veins and geography of my own.

I look around the locker room.

Beauty will not rest.

 

 I know you are reading this poem
  late, before leaving your office
  of the one intense yellow lamp-spot and the darkening window
  in the lassitude of a building faded to quiet
  long after rush-hour.  I know you are reading this poem
  standing up in a bookstore far from the ocean
  on a grey day of early spring, faint flakes driven
  across the plains' enormous spaces around you.
  I know you are reading this poem
  in a room where too much has happened for you to bear
  where the bedclothes lie in stagnant coils on the bed
  and the open valise speaks of flight
  but you cannot leave yet.  I know you are reading this poem
  as the underground train loses momentum and before running
                          up the stairs
  toward a new kind of love
  your life has never allowed.
  I know you are reading this poem by the light
  of the television screen where soundless images jerk and slide
  while you wait for the newscast from the intifada.
  I know you are reading this poem in a waiting-room
  of eyes met and unmeeting, of identity with strangers.
  I know you are reading this poem by fluorescent light
  in the boredom and fatigue of the young who are counted out,
  count themselves out, at too early an age.  I know
  you are reading this poem through your failing sight, the thick
  lens enlarging these letters beyond all meaning yet you read on
  because even the alphabet is precious.
  I know you are reading this poem as you pace beside the stove
  warming milk, a crying child on your shoulder, a book in your
                          hand
  because life is short and you too are thirsty.
  I know you are reading this poem which is not in your language
  guessing at some words while others keep you reading
  and I want to know which words they are.
  I know you are reading this poem listening for something, torn
                          between bitterness and hope
  turning back once again to the task you cannot refuse.
  I know you are reading this poem because there is nothing else
                          left to read
  there where you have landed, stripped as you are.

 

I did an internet search on 
The Atlas of the Difficult World. 
This poem popped up over and over. It 
was the poem that stayed with me after my
first read. It speaks to why we read and
why we write. We do live in the difficult 
world. We seek connection. All those things, those 
adjectives that describe us, 
race, ethnicity, class, gender, sexual 
preference, sexual identity, height, weight,
 all those qualifiers attract and repel. But
 why can’t they simply describe? 
 
My revolution is about my fat body. I insist
 that it be taken seriously. I beseech you to
 consider your internalized fat hatred.
I do not know you are reading this.
I do not know who you are yet.
I do not know how to find you. 
 
But maybe you have found this and you are
 reading it and you think …I never thought of 
it like that.
And that is the hope 
stripped that I am
that buoys me through the
difficult world.

            

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