April 2005

April is the cruellest month, breeding

Lilacs out of the dead land, mixing

Memory and desire, stirring

Dull roots with spring rain.

Winter kept us warm, covering

Earth in forgetful snow, feeding

A little life with dried tubers.

Summer surprised us, coming over the Starnbergersee

With a shower of rain; we stopped in the colonnade,

And went on in sunlight, into the Hofgarten,

And drank coffee, and talked for an hour.

Bin gar keine Russin, stamm' aus Litauen, echt deutsch.

And when we were children, staying at the archduke's,

My cousin's, he took me out on a sled,

And I was frightened. He said, Marie,

Marie, hold on tight. And down we went.

In the mountains, there you feel free.

I read, much of the night, and go south in the winter. (more)

 

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the aged eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign? (
more)

Loren Webster on Elliot.

April 1 2005  5:25 PM                             

This always happens. I woke up this morning feeling less pain. I always do feel better on the day I'm going to a doctor of any kind. It wasn't like I was  gonna cancel the appointment. I still had pain.

 

It was great to see Barbara. I feel better. But I'm sore. Which is normal. I'm going to go back and see her again Monday.

 

I got home and received a wonderful and very helpful gift from a friend. Which made me feel very blessed. And. A rejection for the book.

 

Just. I dunno. It's hard. It just is.

 

I didn't do a thing for Black history month. Nothing for Women's history month. But I am going to be reading poetry this month. I've been feeling the need to know more about poetry.

 

T.S. is probably pretty cliche as a starting poet for April. But sometimes ya just gotta go with the obvious. I'm going to try to put a new poem up every day. And I want to read poets I don't know. And support poet bloggers. The Elliot brought up a design issue. I couldn't make the type small enough to get the line breaks right in the table. They'll be all right once I move them to the page for April but ...line breaks are important to poets.

 

Because I haven't been able to read blogs I didn't notice that Maria had passed the book meme onto me. Done it.

 

It still hurts to sit in the desk chair. And I'm a bit weepy about the rejection. And (speaking of poets) Il Postino is on the tube. I'm gonna grab my ice pack (but only for twenty minutes says Barbara) and settle in. It's such a beautiful movie.  

 

But one more thing from Fat Girl. There's a scene in which she has a friend over for dinner. They've enjoyed good food and some wine and they are talking about their love of poetry and they recite an Archibald Macleish together at the end of which she spontaneously plants a kiss on his cheek. It's a kiss of delight and the affection born in the after glow of good food and wine and the shared love of language. The guy moves away from her and she is embarrassed. I don't have the impression that she thought it was kiss to begin romance. It was spontaneous. And then she feels like she has to make it clear that she would NEVER imagine anything romantic. I don't know why I mention it. Except I'm thinking about poetry. And rejection.

 

And the need for healing.

 

Permalink

 

A poem should be palpable and mute
As a globed fruit,

Dumb
As old medallions to the thumb,

Silent as the sleeve-worn stone
Of casement ledges where the moss has grown-- 

A poem should be wordless
As the flight of birds.

                 *

A poem should be motionless in time 
As the moon climbs,

Leaving, as the moon releases
Twig by twig the night-entangled trees,

Leaving, as the moon behind the winter leaves, 
Memory by memory the mind--

A poem should be motionless in time 
As the moon climbs.

                  *

A poem should be equal to:
Not true
 
For all the history of grief
An empty doorway and a maple leaf.

For love
The leaning grasses and two lights above the sea--

A poem should not mean
But be. (here)
 
*******
 

O my America for whom?
For whom the promises? For whom the river?
“It flows west! Look at the ripple of it!”
The grass “So that it was wonderful to see
And endless without end with wind wonderful!”
The Great Lakes: landless as oceans: their beaches
Coarse sand: clean gravel: pebbles:
Their bluffs smelling of sunflowers: smelling of surf:
Of fresh water: of wild sunflowers… wilderness.
For whom the evening mountains on the sky:
The night wind from the west: the moon descending?
Tom Paine knew.
Tom Paine knew the People.
The promises were spoken to the People.
History was voyages toward the People.
Americas were landfalls of the People.
Stars and expectations were the signals of the People
Whatever was truly built the People had built it.
Whatever was taken down they had taken down.
Whatever was worn they had worn -- ax-handles: fiddle-bows:
Sills of doorways: names for children: for mountains…
The People had the promises: they’d keep them. (here)

 

April 2 2005  11:46 AM                             

Reading Fat Girl has been profoundly disturbing for me for more than one reason. I have had many of the experiences written in the book. Most fat kids have. Moore and I both met our fathers late in life and had complex relationships with our mothers and our maternal grandmothers. However, her mother and grandmother were cruel, soul killing and unable to love. I have my issues with my mom and my relationship with my grandmother was complicated. But I always knew that they loved me. I give praise and thanks for my grandmother's refusal to believe that there was anything wrong with my body.

 

Moore's book is about a childhood filled with abuse. Physical. Emotional. Being fat, in my view, was the least of her problems. But being fat provided the focal point for so much hatred. Hatred that came at her and from within her. If she had been thin I imagine she would still have a book to write about abuse. She was born into a family of emotional thugs. She was starved for love but she was also starved. She describes days and weeks and months of eating lettuce, dry toast and tuna. And she was a child. She writes about how she would lose to a certain point and then not lose more. It's a story I hear from so many fat people. The one time she was slender (her word and this was when she was a young adult) she was living on 900 calories a day and lots of exercise. 900 calories a day.

 

Despite the obvious fact that her's was simply a fat body as was her father's, Moore talks about the gorging that she did (and does) as the reason for her weight. Certainly there is a connection between what she eats and her weight but the biological choice she is given is to live on 900 calories or eat normally. In all the long descriptions of eating that she writes there is nothing that seems terrible. I read more tonnage of consumption in Wasted. Moore drinks a soda and that's the reason she's fat. She eats a candy bar. One. And that's the reason she's fat. But it's the combination of her DNA and the soda and candy that is the reason. And it should never have been made into such a big deal.

 

In the end of the book she writes a lovely description of her idea of having a fat man as a romantic partner. It is the most fat positive thing in the whole book. Until...she puts them both on a diet together.

 

Moore says she does not want anyone to feel sorry for her. See, this is the lesson that fat women learn. The thing that is wrong with you is your fault. So don't go looking for compassion. Ever.

 

We know that fat people are discriminated against. In what other form of discrimination is the cultural response for the person to change themselves?  

 

What I feel for her is much bigger than pity. I feel rage. I want to find every person who ever called her fat with the intent to hurt her and destroy her sense of self and I want to annihilate them. Honestly. I feel murderous. Imagine the most wrathful dhakini and that is who I want to be.

 

I hope lots of people read this book. There is lots of truth in it. Truth that should rattle you. But if you are fat it may also hurt you. It hurts me. I'm glad I read it but it hurt me. My sorrow for this little girl who was so battered and the adult woman who cannot find the love for her body every person ought to have is overwhelming. She lives in Berkeley. I might be able to write to her and meet her. But I think she would find my point of view abusive. She is convinced that her appetite is the problem. She understands that it is also genetics but she believes that the onus is on her to conquer that natural expression of diversity. So she diets and diets and diets.

 

20/20 had a show last night about a young girl with Prader-Willi. I didn't watch because the commercials for the show suggested that the topic would be treated with the same fat fearing/hating smugness that most media uses to talk about people's lives. In the commercial you see her in a raging temper tantrum. If you saw this young girl on the street you would imagine that she is a glutton. And you would be right. Her hunger knows no bounds. It is not emotional. She is not comforting herself with food. She is not eating for pleasure. She has a syndrome that makes it impossible for her to experience satiety.

 

I'm glad that researchers are trying understand the syndrome because this little girl is suffering. But she becomes part of the obesity epidemic  paradigm. The paradigm in which fat is a one size fits all term. Her life and the life of Judith Moore and my life and the life of other fat girls are not one size fits all.

 

Because of Moore I know about MacLeish. So, in honor of her wisdom and love of lanquage he is my poet of the day. There are problems with the line breaks again so best to read it here.

 

My back is better but still hurting. It just is what it is.

 

Permalink

 

 

The very perfume Kienholtz must have used in his environments on the 1950's--the slow music, the polyurethane men at the bar, or servicemen in the waiting room of a house of prostitution, memorabilia about Eisenhower--all on a brown and red carpet of roses. Your mother's letters at your bedside table, unopened, overpower the wilting cherry reds. She follows you to Europe with her drawl and plaint. I practice the flute, cascading cheerful melodies with low notes on the end. The Festival, the tinsel, the flash of light in the eyes of the well known and us, driven into the event by your departure. That day we heard of the terrorism and shootings and were sorry we had believed you were going for a rest. Not that you would be involved, but that once there would find consort among those wronged. We surfaced among costumes on the promenade, the faces of the hotels marking a period of history when architecture was sculpture: colonnade and white facings below black ivory domes, crystal high in the dining rooms' omphalos. We drank Sambuca under the celebrated sky, blacker and more riddled for your absence. It was your drink, and we sipped to the hard coffee bean, split like a nipple; we were surprised--very few people had heard of it, although it is not uncommon. (more)

 

so that the images that led me down

the spiral of forgetting self and listing

like a phenomenon in the grip of its weather

dazzling or threatening but free

of civilization were the links

whereby her terror

made good its promise to annihilate

my will her will I couldn’t tell

the difference then as now

when making love I can

breathe in forever on that rise

indefinite plateau whose briefness

like an eye in unself-conscious and the sphere

of the horizon its known line.

(From Eye of Heart here)

 

April 3 2005  11:37 AM                         

My poetry month project is supposed to be about me learning about poets and poetry. I have my favorites and I have some awareness of poets even when I haven't read them. So I want to use the time to read more and find more as well as honor the ones I already know and love. I just want to read poetry every day.

 

It was interesting to read the MacLeish but it didn't move me in a big way. And I am thinking about why. Unlike other kinds of writing I don't have a way to talk about why I do, or do not, like a given poem. It's a much more visceral response. Case in point. Cleis picked up on the project and posted some of the poetic collaboration of Olgus Broumas and Jane Miller, which did ring for me. But I can't say why I liked it any more than I can say why I didn't like the MacLeish. It really isn't as simple as like/didn't like.

 

The MacLeish was declarative and had a familiar form. Everything about the Black Holes Black Stockings was vivid and the form, the how they did it, was exciting. I can't say I know what it's about. But I know it feels thrilling. I wonder about the words and the meaning. I impose my own meaning. I don't have as much space to that with the MacLeish, or with the Elliot for that matter. But the Elliot is saying something that has a deep personal meaning for me in a way I feel.

 

I'm sort of fumbling around with this project. I'm somewhat dependant on the web for the project. I did find more Olgus Broumas and more Jane Miller.

 

This morning I was listening to the people holding a save the library read in at the Cesar Chaves library in Salinas. I value libraries. I have many fond memories of libraries. But I don't avail myself of them the way I might, which is mostly about being a slow reader. I thought I might see if my branch has any poetry.

 

My back is better but the mornings are still bad, the computer chair is still painful and I'm just glad I have another appointment. My mood is really unformed. (Like my thinking about the poems.) I think I'm fending off a crash. I watched Fierce Grace yesterday, which was another one of those perfect timing Netflix arrivals. I met Ram Das years ago and, of course, read Be Here Now. He's a sweetheart. So I'm trying to ignore my melodrama and take care of my back. I don't think I'm really being here now. I think it's more like I'm being neither here, nor there. Which, may be as good as it gets right now.

 

I'm tired.

 

Permalink

 

stars in a blender

driving down stars to a black pitch
can't remember

being so out of alignment,
they rattle and burn in this shaky blender.

wasted hallelujahs shatter my windshield.
was it a woman, deer or water?

dust tastes like eternity on my lips
only hair and fingernails remember.

 

all these faces

I guess I should read again.

 

All these faces have lost the dimension

to convince me of their reality;

 

all our plots have become entangled,

though too insignificant to move much.

 

(If we’re lucky we might get a little soft porn in the pile up)

 

in the woods

they’re sanding something down to essence;

I hear the friction though I can’t see it.

 

My lover too is never near enough.

She’s off playing the flute in a vacuum

 

for deaf mutes who try to catch her voice

with tongues flapping like Venus fly traps.

 

at my doorstep

I heard her once loud and clear

 

(later she taught me Braille so I could touch what wasn’t there)

 

it was the cry of a lone Mallard,

lost from the Mallard Convention,

crossing the busy street without a crosswalk.

 

Ray Sweatman

 

April 4 2005  1:33 PM                              

Oh. Well. Gee.

 

I do feel better. Mornings are still painful but I can move more and be up for longer and have more range of motion and I will get an adjustment later and it will be better and ...

 

I think I'm slap happy.

 

I just. I just. I'm. I dunno.

 

There have been ways in which I was waiting to hear about the contest. And now I have. So now I have to pull it together and do whatever it is I'm going to do next. And I can. And I will. And I still feel sore and tired.

 

I never feel like I understand the difference between taking care of myself and indulging my limitations, fears and confusion. It's like that know what I can change, know what I can't and know the difference thing. Sometimes it's harder than other times.

 

It's late enough in the day so the first dose of Advil and ice pack therapy has kicked in. There's a little time before I need to leave for my appointment. I'm trying to come up with something to do. I did the lighting candle, incense, fill water cup, put apple in place part of my ritual. I'm a little afraid to try to do yoga just now, although I was able to do a few stretches.

 

Slow. Slow. Slow. I'm so slow. I wasn't always slow. I was even sort a fast sometimes. I don't even want to be fast. Just not so slow.

 

Actually I don't really mind being slow. I guess.

 

Ray is my poet of the day. Just coz. I've posted Ray's stuff before. I'm crazy about him. I will admit that the line about being so out of alignment had a personal meaning for me right now. That's what we do. We grab other people's language and use it for our own purposes.

 

Permalink

 

 

Meaningful Love

What the bad news was
became apparent too late
for us to do anything good about it.

I was offered no urgent dreaming,
didn't need a name or anything.
Everything was  taken care of.

In the medium-size city of my awareness
voles are building colossi.
The blue room is over there.

He put out no feelers.
The day was all as one to him.
Some days he never leaves his room
and those are the best days,
by far.

There were morose gardens farther down the slope,
anthills that looked like they belonged there.
The sausages were undercooked, 
the wine too cold, the bread molten.
Who said to bring sweaters?
The climate's not that dependable.

The Atlantic crawled slowly to the left
pinning a message on the unbound golden hair of sleeping maidens,
a ruse for next time,

where fire and water are rampant in the streets,
the gate closed—no visitors today
or any evident heartbeat.

I go rid of the book of fairy tales,
pawned my old car, bought a ticket to the funhouse,
found myself back here at six o'clock,
pondering "possible side effects."

There was no harm in loving then,
no certain good either. But love was loving servants
or bosses. No straight road issuing from it.
Leaves around the door are penciled losses.
Twenty years to fix it.
Asters bloom one way or another.
                    -John Ashbery

April 10 2005  4:42 PM                              

My back got kinda worse. And I got kinda depressed. And I just haven't had it in me to write a post. I'm not sure I have it in me now. There's only so much you can say about being in pain and being in a bad mood. All the funerals and weddings and wars and rumors of wars come to me from the TV and the radio. Nothing moves me.

 

But my back is feeling better and I'm hoping the rest of me will follow.

 

One extra nice thing happened. I got to meet Barry. He's in town for a comics convention. I was worried because I wasn't able to leave the apartment but he was kind enough to come over. That pulled me outta my funk for a bit.

 

My poetry project has been ignored. I went looking for someone and found the Ashbery. He's someone I've heard Krisitna talk about and I liked the idea of morose gardens. Suits my mood.

 

I am working on my mood.

 

Permalink

 O THOU whose exit wraps in boundless woe,
For Thee the tears of various Nations flow :
For Thee the floods of virtuous sorrows rise
From the full heart and burst from streaming eyes,
Far from our view to Heaven's eternal height,
The Seat of bliss divine, and glory bright ;
Far from the restless turbulence of life,
The war of factions, and impassion'd strife

From every ill mortality endur'd,
Safe in celestial
Salem's walls secur'd.


E'an yet from this terrestrial state retir'd,
The Virtuous lov'd Thee, and the Wife admir'd
The gay approv'd Thee, and the grave rever'd ;
And all thy words with rapt attention heard !
The Sons of Learning on thy lessons hung,
While soft persuasion mov'd th' illit'rate throng.
Who, drawn by rhetoric's commanding laws,
Comply'd obedient, nor conceiv'd the cause,
Thy every sentence was with grace inspir'd,
And every period with devotion fir'd ;
Bright Truth thy guide without a dark disguise,
And penetration's all-discerning-eyes.


THY COUNTRY mourns th' afflicting Hand divine
That now forbids thy radiant lamp to shine,

    -Phillis Wheatly

 April 12 2005  2:59 PM                              

It's the little things. Ya know? Like being able to get in bed and be comfortable, turn over with out crying, get out and stand up and walk. I still have some tightness. But I am just way better.

 

I need to do laundry. In the time it took me to sort it my back began to ache. I took some Advil and rested and ... it's OK. The laundry room is down a buncha stairs. It feels so good to move but I'm still worried about the pain. Back to the task of trying to navigate what I can do and accept what I can't do.

 

I haven't been swimming for a variety of reasons but there is a pool a block away from me that is supposed to reopen soon. I love swimming.

 

Andrea Dworkin. Well. I am sad to say that I haven't read much of her writing. I have read some but it was years ago. I am not an anti- porn feminist but I took her ideas to heart. As too often happens I will probably read more now that she has passed. I don't have a personal reaction but I do have a reaction to the idea that she isn't being treated kindly on the net because of the radical nature of her feminism. (And, I should say that I haven't read much of it. I'm still having trouble sitting at the computer.)

 

It makes me think of conversations I've had with my dyke friends when I have romantic feelings for a man. There is a way in which I lose myself when I feel attraction. There is a way in which I make allowances. There is a way in which I don't ask much of my male friends and romantic interests in terms of feminism.

 

The last time I had feelings for a man it was because of his web writing. It was the way he wrote, the music, art and books that he loved, the artistry of his page. I never knew what he looked like and I still felt attraction for him in my body. We exchanged some e-mail and things got a little confused. I'll never know exactly why things got as bad as they did. I thought we would have a friendship if nothing else. And in the last communication between us, along with the discussion of what we did and did not feel for one another and how we were dealing with all that, was an altercation about a post I made about feminism. It confused me then. It confuses me now.

 

These text based relationships are odd. We read each other. How well do we read? It seems so delicate and fraught. I like to think that if we just keep talking things will work out but I know that isn't always true. I know it from my on line world and my off line world. The number of possible misunderstandings is just ... phew. HUGE.. But there are things that feel absolute.

 

I am a feminist. I don't really get people who can't say that. I know some people don't like to be too political. I know some people like to say that the issues of feminism are really the issues of us all and therefor fall into humanism but that always feels like a side step to me. The issues of people of color fall into a broader humanist stance as well but we talk about racism. We need to talk about specifics. We need the language of the isms to unseat the assumptions of the dominant language structures. We need to have the difficult conversations. I do.

 

Feminism, like everything else, is not a one size fits all concept. When I say I'm not an anti porn feminist I mean that I want us to remember the body. The body with its smells and needs and inconveniences. Obviously we have a head and a heart and a spirit and we like to think we are more than our body and I suppose in some very real ways we are. But we have these bodies. We are, all of us, sometimes profane, if we pay attention. No doubt most porn would make me want to pull my eyes out of my head. No doubt most of it lacks any fundamental humanity. No doubt most of it is done for the male eye and serves the objectification of women. But, there are women in the industry who are doing their own thing.

 

Yesterday Deb took me to get my adjustment and then we went to get some dinner. A table of six people, three m/f couples sat next to us. They were loud but I didn't really care. I was feeling less pain and eating good food with a great friend. I wasn't going to be bothered. But they were loud. One man told story after story in which a "good looking" woman was featured. I didn't listen to it all but I kept thinking about the three women at the table. I wondered how it made them feel to hear story after story about "good looking" women. There's no way for me to know. I know how I felt listening to these bits and pieces. I felt the need to be on guard.

 

It's interesting that just the mention of Dworkin brings all this out of me. It comes from a scant reading of her, done years ago. I do have a deep and personal response to the ideas of feminists, feminism and what is radical. I think of myself as radical. I want to be radical. Do I think I lost the opportunity to have a romance because of that? Oh. Not really. There was more going on in all that mess. Things that I may never understand. But the part that was about feminism cut into me and left me feeling less hopeful about the world.

 

Because these things matter.

 

Barry wrote a post about fat men and their thin wives in cartoons and sitcoms. We talked a bit about it when he was here. It rivals his Absent Fatso post in terms of coolness. I don't watch a lot of those shows so I feel like I can't jump into the conversation but as I read through the comments I feel this thing that I so often feel when fat hatred is the topic. Everything seems beside the point. In some ways I feel that people just don't want to take the bias against fat people seriously.

 

Barry and I talked about how men can be fat because (in general cultural terms) men are allowed to have appetite. Men are allowed to have bodies.

 

Yesterday, at the restaurant, Deb and I had desert. As it arrived the guy with all the stories about "good looking" women turned to look and the whole table looked with him. I somehow knew they would. I had a brownie hot fudge sundae thing. As he turned I held up the first spoonful and asked if he wanted a bite.

 

Yes I did.

 

I was acting out. I was saying I wasn't ashamed to be eating. I was saying I was willing to share my pleasure. I was owning the part of me that experiences pleasure and wants to share pleasure and is able to experience and share pleasure. Quite a bit of stuff and none of it clear to him. He stammered something about them getting their own and turned back.

 

Funny. When Barry was here we talked about blog popularity. He said I write long paragraphs. It made me laugh. I'm still laughing. It is somewhat true that blogging is short attention span writing and sometimes I write in a long winded and all over the place manner. Today my unruly and profane body is feeling better and with that relief comes a torrent of thought. It is what it is. Want a byte?

 

Heh.

 

I'm posting some Phillis Wheatly today. Because as I was writing all this I was thinking about women and oppression and isms and poetry. I have read some her poetry and I don't really like it that much. It is too formal for me. I have read that she hid messages in her text but I haven't the wisdom to parse them. But I thought of her because she was a woman, a woman of color and a slave. Owned. It brings the same tension to my body that I felt overhearing the stories about "good looking" women. It would be nice to post her poetry because I like it and not in service to some political agenda. But. These things matter.

 

And. One more silly thing. If you are reading because you came her from Barry's link and you want to see a picture of my drivers, look here.  I gotta go get the laundry.

 

Permalink

 

 

Last Look at the Lilacs

 

To what good, in the alleys of the lilacs,
O caliper, do you scratch your buttocks
And tell the divine ingenue, your companion,
That this bloom is the bloom of soap
And this fragrance the fragrance of vegetal?

Do you suppose that she cares a tick,
In this hymeneal air, what it is
That marries her innocence thus,
So that her nakedness is near,
Or that she will pause at scurrilous words?

Poor buffo!  Look at the lavender
And look your last and look steadily,
And say how it comes that you see
Nothing but trash and that you no longer feel
Her body quivering in the Floreal

Toward the cool night and its fantastic star,
Prime paramour and belted paragon,
Well-booted, rugged, arrogantly male,
Patron and imager of the gold Don John,
Who will embrace her before summer comes

  

 

The Emperor of Ice-cream.

Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.

Take from the dresser of deal.
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.
 

From Thireteen Ways of Looking at a Blackbird.

 

VIII

I know noble accents

And lucid, inescapable rhythms;

But I know, too,

That the blackbird is involved In what I know.

 

                    - Wallace  Stevens
                     Loren Webster on Stevens
 

April 13 2005  12:27 PM                             

Four loads of laundry. An hour of folding, at the end of which there was still a pile of pants that I thought I'd do today but did just before I went to bed in some reflex need to feel complete. And no relapse of the back pain. I was a bit stiff and achy but I did the ice/heat/Advil routine. And I changed the sheets on the bed.

 

This morning I turned over on my stomach and stretched my legs out. It's my favorite way to sleep but even last night when I tried it my back spasmed. This morning I could do it for the first time in two weeks. I was filled with relief and gratitude.

 

There's still a load of laundry and the freezer needs defrosting and it would be good to vacuum. All this stuff that people do and it's no big deal but being able to do them is filling me with an almost giddy sense of joy. You know there is that saying about after enlightenment the dishes and for me, today, the dishes feel like enlightenment. I may be grouchy and discontent all too soon but not today.

 

I am a little grouchy about the conscription of Cookie Monster into the food fear gulag. I suppose I am over stating but I was just thinking about appetite and who is and isn't supposed to have it. There's nothing terrible about kids being encouraged to eat fruits and vegetables. I can think of a million ways to do that. But Cookie Monster is about something else. The Count counts. Oscar is a grouch. And the Cookie monster loves cookies.

 

When I was stuck in my chair I had cravings for things that I don't usually want. If someone would have brought me a box of Krispy Kremes I woulda eaten it in one sitting. I didn't really have an appetite and I wasn't able to cook so I wasn't eating much. But the cravings didn't feel like they were about hunger. I would have eaten them. And I probably would have gotten a stomach ache. And so?

 

I always feel the need to qualify when I write about things like this. I know there are fat people who eat a lot of what I would call junk. I know there are people struggling with compulsive over eating who would have found a way to get those Krispy Kremes and eaten them and more and then felt guilty. I never want to shame those people. But ya know, it's the Cookie Monster thing. Some people just love cookies. It really is OK.

 

Now. Let me qualify some more. If you took me to Cafe Du Monde right now I would eat some beignets. Oh yeah baby. Laissez les bon ton roulette! Gimme sumthin mister and all like dat der.

 

I dunno. I just think we need the moments of excess. We need the people who are excessive. Too much moderation is just too much moderation. It is as much of a trap as anything else. And all this fear of food is going to mess these kids up.

 

Anyway.

 

My whole poetry project things is suppose to be about reading more poetry by new poets and not just my old favorites. But awhile ago I jumped to this site from a link on K's blogroll. Interesting woman. Has a knitting blog. Seems to be into Amma. And she has this whole blog for Wallace. I first heard Wallace from a blues and jazz playing piano playing and singing guy who used to get ripped and recite the Emperor of Ice Cream. I had a crush on the guy despite the fact that he was kinda mean and in some ways women hating. I was young. I stopped liking him after he did all my dope and used my tooth bush. But I still smile when I read the poem.

 

Permalink

 

Because She Must
and because she just doesn't care anymore

on the dark cold street
at night
alone
the wind whispered
"try to stay alive until you die"
she fumbles past crumbling doorways
the same dead child feeling
running from men with horrible gifts
or psychotic mothers
inventing her own self

barefeet toughened by shards of glass
her pain becomes pleasure
and all hunger disappears
as she drowns in the darkness
just a child
in the twilight
a child
believing in nothing at all
except the words of the wind

she will survive the invisible day
when they uncurl her legs
and spread her knees
when her anguish becomes pleasure
because it must
and there is no hunger
and there are no math classes
for runaways
and she becomes a disgrace to her sex

Sublime Paradox

remnants of the distant sky
where civilized stars dance wildly
illuminating hints
of primitive patterns

the coincidence of opposites
dissolve
into the twilight of non-duality
emanations
dissolutions

water wheels turn
into a nebulous sea of bliss
while feral instinct
is trapped
in suffocating pages
of imposed morality
until
the unsustainable light
flickers and fades
into a circle unseen
yet unbroken

         - Cyndy Roy

 
April 14 2005 12:27 PM                             

 

I tried to catch up on my blog reading and in the process learned from Veronica that All Consuming had been down and was now back and better. Better because you can add the movies you're watching and music. It is a little confusing. Instead of sections for what you have read there's just one big list of everything you add. I had a lot of fun with it yesterday. I added my Netflix stash and the five discs in my disc player, which meant that I had to change them because they were the same five that had been in there for way too long.

 

I wish I was listening to music now but I'm listening to the debate on the bankruptcy bill. Just this morning I heard a bit on the news about how people are paying their taxes with their credit cards. Taxes, medical bills, groceries. My own debt is mostly about buying food with the cards but I will admit to what might be called frivolous spending. I buy books. I could go to the library. I guess. The debate is interesting. I'll listen to music later.

 

It doesn't seem like you can move the stuff in your All Consuming things around. So, if I change the discs and listen to them later I'll just have them on the list twice. I guess. Not that it matters. I just get a kick out of these web things. He added an "other material" section, which I haven't been able to figure out. It might be cool to make note that I am consuming scrambled eggs on a corn tortilla and green tea.

 

And I needed to work on the page because I had to fix my gaffs. I never changed the month on the yesterday link. I'm just not that good at this web design thing.

 

Also found in the catch up reading was Cyndy's link to the thirty ways to celebrate poetry month. I hope I remember keep a poem in your pocket day. Cyndy is my poet of the day.

 

There's a show in rotation on PBS stations right now: Not in Our Town. It's both deeply troubling and also encouraging.

 

So all the laundry is done and the freezer is defrosted. Oddly enough the freezer was harder on my back than all of the laundry put together. I had to get up every twenty minutes to empty the water tray. I started the project too late in the day. At midnight I was still pulling out chunks of ice. Today I feel tight and achy and I have an ice pack on even as I write. I'm not worried. I'll get an adjustment tomorrow and some of this is just middle aged back stuff. I think I can do yoga again. It'll all be OK.  Still hafta a run the vacuum.

 

Permalink

 

The Red Spider
so much depends
on the small red spider
crawling the circumference
of a lost silver
Public Storage key
left glinting
on the ground
outside the poetry workshop

 

here
it is the spider
who unlocks
the cold bins
of put away things
who calls us out
onto the thin
crimson web of words
where me might catch
our private winged losses
and hold them close
against our heated cheeks
until they glow into
hot communal embers
that warm the tribe
of the found

 

-Kristina Krause

 

 

April 15 2005  10:10 AM                              

There is something about this that chills me to the bone. The newscast that I heard went out of its way to say that it was all really bad guys. But. 10,000? In one day? Something about that feels creepy. It's not about law enforcement. It's about sending a message.

 

And then there was the news from Oregon. Stooooopid!!

 

The bankruptcy bill passed. It's such a mean spirited bill. Stuff about here and here.

 

I had my own weird stuff with banks and credit card companies yesterday. I didn't do anything wrong but I sure got treated like I did. And as the truth began to reveal itself I got no apology. It always bugs me because I know these are just people doing their job. They aren't the company, or the bank. There is no one to confront. Today I have to do more work to clear it up. I'm not worried about it. I'm just pissed off.

 

Bad vibe day.

 

Except there was this one thing.

 

You may, or may not, remember my plant. I only had one plant and it was not doing well. There was a moment a year ago, or more, when it was basically a tall stick in a pot and I thought about tossing it. And then it came back. Lots of shiny, green leaves. Around Christmas it dropped some leaves again but most of the time it just looks great. Yesterday I repotted it with lots of new soil in a blue ceramic pot I found in our back garden area. I keep looking over at it. Tall and green.

 

Sometimes things get better.

 

I was going to try and write a poem about how much depends on a tall green plant. Especially after reading Kristina's LJ. I put her poem as the poem of the day. There is another of Kristina's poems here.

 

Permalink

 

MORNING JOY

Piano buttons, stitched on morning lights.
Jazz wakes with the day,
As I awaken with jazz, love lit the night.
Eyes appear and disappear,
To lead me once more, to a green moon.
Streets paved with opal sadness,
Lead me counterclockwise, to pockets of joy,
And jazz.

          -Bob Kaufman

 

April 18 2005  9:47 AM                                

On Sunday mornings I listen to Larry. But I knew that he wasn't going to be on this week since he is dealing with some health issues. I turned on the show to see who they had as a substitute and what a surprise! It was Matt! That was fun. He has a very sibilant quality in his speech. Easy to recognize.

 

I'd been thinking about him lately. Wondering what he was doing. And there he was on the radio and again on the nightly news talking about his friend Marla Ruzicka who was just killed by a car bomb in Iraq.

 

SF has a small town feel some times. Interesting how people gather to support one another around illness and death. Just like in a small town.

 

And he had some poetry slam people on the show. I love slam poetry. So I did listen to poetry on Sunday.

 

I think my syntax was off the other day when I wrote that my poetry project had been ignored. I didn't mean it had been ignored by others. I meant it had been ignored by me. I wanted to really read poetry this month. But I haven't done much. Maybe a bit more than I usually do. I jump to poetry links from Wood_s Lot often. And that's where I found the Kaufman.

 

Poetry slows me down. And if my mind is agitated or spaced out I can't read poetry. My mind has been both agitated and spaced out at the same time for a few days. Money issues. Ya know how that can be. I'm still preoccupied with it. My thinking is like mud.

 

But I am declaring myself fully recovered from the back stuff today. Even over the weekend I was tight and sore, especially in the morning. I was still grabbing an ice pack and some Advil first thing. Today I was able to put the dishes from the dish rack away. I haven't been able to stand up that long in the morning. Today I could and I made my eggs some apple sausage and green tea. And I think I'm going to put the Advil away.

 

I did Armageddon shopping yesterday. The apartment is more or less clean. Although I still haven't run the vacuum. Maybe today. I have fruits and vegetables and chocolate. So. I'm better. I'm going to finish this and do my ritual and some yoga. Back to  ... uh ... normal. Or something.

 

Permalink

 

Body of Life

 

1. 1990

One by one 'til
I'm the only one
left in the photo
we took in Gay Paree,
trill the final syl-
lable, thrill to
pretending we're
the Revue Negre,
funking so fiercely
our black clothes stained
our curvature, fab-
ulous flames let loose
in the city of lights.

One by one you leave
the picture, nix nix nix,
my moonpie face left
shining there. Au Revoir,
or like they say
in Sula, "Vwah!", bright
as a bottle, the beau-
tiful childen are
leaving me to trill
the final syllable,
this beautiful-
ugly world.

2. 1983

The other girls taught shy me to be a diva,
to preen, to plump my titties up like they did,
to work it. We danced. We wanted the body
of life and I lived for a year in that
body, the body of life, in D.C.,
in the African diaspora:
Chocolate City.

That was my slut year.
All the men I didn't sleep with, all I did,
all the lunch dates, all the dinners, all
the whistles on the streets of Chocolate
City, all the men who called me Baby,
called me Girl, like the one who made me tuna-
fish and tried to suck my breasts, then asked
me to type his resume. My buzzer
in the middle of the night, my phone, a man
who greased me head to toe with Lubriderm,
a Cape Verdean who appeared on busses
and trains as if by divination, sketched
me naked, never spent the night. I told
one man how much I loved Betty Carter
and he said, I hope you're not one of those
bulldaggers. A lonely Nigerian
who cooked fufu groped me on the sofa,
his across-the-ocean wife and daughter
watching from their picture frames.
Rum and dancing, too many things in my mouth,
genitals cobbled with passion or disease, bright
clitoris a phantom limb, remembering --

I moved away to Boston and would call
you for the update: Renee was a samba
star at Brasil Tropical, shimmied
on Brazilian TV. Denise graduated
school and made the foreign service, moved
to Jamaica, to bungalow, with
a man and a maid Pansy. "Who's sick?"
I'd ask and you'd tell me, and who died,
and one day you said, "And I'm living with AIDS."

There was Kemron in Kenya.
You were saving to get it.
You met with a support group
of other black men. You had
a Dominican boyfriend,
same as me. Mostly you felt
O.K., but you hated
your medicine. You were fat,
but you still took class.
No, Tyrone wasn't sick. But David was dead.

It was Njambi who called me to say,
you were back in shape. You performed
for the visiting Eminence of Senegal,
the next day went into the hospital,
the next day died. It made a romantic
story, but you're still gone. "I love when you call me
because you're alive," you said once,
one of your few friends still alive.
I'm writing this poem to say how we were,
that we danced and fucked and sweated, loved
ourselves and each other, lived fiercely,
knew joy. I'm writing to say,
I got lucky, you were my friend, you
knew me as a girl, I am a woman,
now, with my little piece of your story,
the year of the body of life.

                  - Elizabeth Alexander

 

Meeting (for Lorna)

It rains. The blistered skin of this city
     cools. Summer has been an endless circle
of labors -- the heat, the rituals of our lives.
     At noon, the rain stammers to a drizzle

and the thin glow of light catches the bodies
     of women moving quickly; black women
bent low, hurrying through the damp cool.
     And I watch a body, the promise of a smile

in the round of her hips, the rapid nervous
     pace of her, and I take her in as one does
with a familiar movement -- a vaguely comforting
     pattern. This has happened before,

a moment with a stranger, imagining
     that she too will turn, grin -- and I think
of the delicate ribbons of a woman's
     laughter as she comes closer. On the edge
of sin, the naked welcome, I see it is you

and I feel like a strange man waiting to touch
     you with words. In this indiscretion
I want to say I fear losing you; I am
     angry at me for being that strange man

taking you in as a predator does. Your smile
     disarms me, its trust and pleasure in our
accidental meeting -- and the rain gathers
     again in the sky. You hand me the car keys.

We say something about money and time,
     and you hurry away, your hips -- my hips,
the bloody world's hips -- swinging sweetly
     while I cradle in me the terrible fear of love.
                   -
Kwame Dawes

April 19 2005  11:42 AM                                

I turned on channel 26 yesterday morning and there was a building commission meeting. A  woman was giving public testimony saying something about false accusations of sexism after which one of the commissioners said that it wasn't useful (I'm paraphrasing) to deny a woman's feelings and the woman who had been speaking began to yell and the chairperson began to bang the gavel and I became completely enthralled. It seemed so early in the morning for such drama.

 

So. The mayor had appointed a woman as the head of the department of building inspection and the commission was there to confirm it. At a previous meeting the head of the SF development association had spoken in favor of keeping the man who has been in charge and not replacing him with "pregnancy brain."

 

Uhhuh.

 

The woman is pregnant and in that same hearing four others sited her pregnancy as a reason to not appoint her.

 

This is one of those times when, for me, there are two things that are true at the same time. Is there such a thing as pregnancy brain? Well....

 

I knew a woman once who warned me to never admit that I had my period because people would use it against me. I was dumb founded. It doesn't seem like a source of shame. How could it be used against me? I am more emotional around that time. I sometimes feel like I lose physical dexterity. I may be in some stage of menopause and I am spacy often. There is just no doubt that hormones have an impact on us. So?

 

For ever and ever women have been working when they had a period, or were pregnant, or were in menopause. For all women it's a different experience and it's a different experience from day to day. It's just part of life. No one of any gender is in perfect form at work every day. If a man has a bad day they are just though to be having a bad day. But I think men have hormone cycles of their own and I also think that men track the cycles of their partners and are impacted. The idea that a woman's hormones are debilitating or make her unable to preform a job is just wrong headed. And I really thought everyone knew that.

 

But not Joe.

 

Now. I like Joe. He's bombastic and irascible and I almost never agree with him but I like his largesse. Is he sexist? Oh yeah. In that very well intended but ultimately obtuse and really just not getting it kind of way. And it gets worse. Joe likes to speak in verse from time to time. He wrote a poem questioning the mayor's sexual preference in light of the mayors divorce and support of same sex marriage.

 

So the president of the board (and my district supervisor) is introducing a resolution to condemn the comments.

 

The recent pattern of public comments degrading women and lesbian, gay, bisexual and transgendered individuals by members and leaders of the Residential Builders Association of San Francisco must be addressed and firmly disavowed by the city of San Francisco in order to reconfirm our commitment to fighting all forms of bias and intolerance.

 

OK. Well. Yeah. But make no mistake. This is a lot of political chest thumping. I support and join in any condemnation of such language, especially in civic dialogue. But ... it was said in PUBLIC testimony by a member of the PUBLIC. A leader of an influential private organization but still a member of the PUBLIC. So, I have mixed feelings. I don't have mixed feelings about how wrong what he said is. I am, in some ways, glad to live in a city where the city government publicly and formally condemns such speech. And it makes me a little tense. Because people need to be able to speak their mind. If you've listened to him talk you know him as he is. He is an atavism to an old, fading way of thinking. (Please. I hope. May it be so.) If he had been a board, or commission member I would be in complete support. But this is about power.

 

The commission confirmed the woman. Today's board meeting should be interesting.

 

And there I was. Trying to get back to my ritual and yoga. I actually did the ritual and yoga while listening to the whole thing. And later that day there was a raucous committee meeting in which Chris challenged the success of care not cash. I love that guy.

 

Sometimes I question my own radicalism. Am I making excuses for Joe? I don't think I am. I don't support what he said. I support his right to say it and be stupid in public. On the other hand, I do like that the public parent is giving him a scolding. Joe says his "pregnancy brain" comment is just a matter of fact. And there is some truth to the idea of hormones impacting clarity of thought. But it's overstated, not useful and ultimately a way of keeping women out of power. So then ...

 

Awhile ago I watched The Life of David Gale. I enjoyed the movie but there was something that troubled me. Something that took me days to articulate. It was the women.

 

David's wife spends a lot of time in Europe working and probably having an affair. When she divorces him she leaves him in economic ruin and takes his son away from him. He refuses to give a female grad student a passing grade so she falsely accuses him of rape and he loses his job as a result. His friend and fellow anti-death penalty activist is long suffering and loyal. The reporter is smart enough to solve the mystery but apparently not smart enough to have gas in her car. There is a cool fat woman in the film played by the wonderful and beautiful  Melissa Mc Carthy. But she is also less than smart and dignified. And we watch the same footage of the violent and gruesome death of a woman over and over. There's no real character development of the women. They are all in service to the life of David Gale.

 

It's a movie against the death penalty. It portrays the fact that people are wrongly convicted. Not many of them are white, male, philosophy professors but ...

 

Does the wife take the son because of David's alcoholism? Because she believes the false rape accusation? Because she's just an evil withholding bitch? Does the student accuse David of rape because she really wanted to have sex with him or because she's a manipulative, entrapping bitch? Is the friend so hot for David that she just has to have sex with him? And isn't he smart? He's the victim of all these bad women and so he manipulates the judicial system and a female reporter into an elaborate drama in which he is martyred. What a guy! I like the point the movie makes. I just wish it was made with less misogyny.

 

Sexism feels so entrenched. I am aware of my own. There is part of me that wants to make a joke about testosterone brain. It would feel smart and snappy and gotcha back. It might be fun. But it would lack dignity. Elegance. It would be bad faith. Sexism makes us all mean.

 

Sonya sent me a poetry link on which is poetry by the mighty Lucille Clifton who wrote one of my favorite poems. And Sonia Sanchez. But I knew them so I picked a couple that I didn't know.

 

 

Permalink

 

 

The Veil

 

so sheer between what's right
and will be wronged
let's say the Taiwanese couple
on stage tonight in their launderette
washing and drying clothing
watched by two teenagers
in a non-descript Duster
windows fogged over with
potsmoke, fear and talk
with one gun between them
and an idea to rob
not for money
but to knife that veil
between them
and the good life

 

In the hole he counted heartbeats
but got scared they'd stop
listened to broken pipes
under the shit-hole in the floor
finally read the Bible they give you
but his religion wasn't in a book
unless it's the telephone book
so he stayed alive counting
letters, commas, periods

 

The veil

existed before he was born
and between his arising
shadowed the world he moved through
reaching for dim forms he thought
brought light

    -David Meltzer

April 20 2005  9:03 AM                                

After all that drama, the resolution was referred to committee by a conservative, pro development supervisor. I can't imagine what they can do in committee except talk about it some more and maybe change the language. It will be interesting.

 

It was quite a relief (cough) yesterday to hear the news that being fat might not be the death sentence previously thought. Poor diet and lack of exercise are still bad for you. Isn't that interesting? Who knew?

 

The latest study had another surprising finding: People who are modestly overweight but not obese have a lower risk of death than people of normal weight. Indeed, the fewer deaths from being modestly overweight partially canceled out the deaths from obesity.

 

Of course, I am immodestly fat so I'm still gonna die.

 

I've been pretty lucky when it comes to finding health care practitioners who aren't fat phobic. I have a few bad stories, most fat people do, but I have a cool doctor now. I just can't afford to see her. I wonder how that effects my health.

 

When I was at Barbara's for the adjustment I was bemoaning the fact that I've been doing yoga and some other exercise and eating so well lately. Why did my back go out? She said that vegans who run miles every day have problems. That's the kind of thing I often say when I'm trying to make my point about weight and health. But with my own body I sometimes lose perspective. I'm lucky to have someone who can talk me back to sane. My weight may contribute to my back ache. All I ask is that it's seen as part of the problem and not the whole problem.

 

The editors of Scoot Over Skinny are on KPFA right now. Since they rejected two pieces of writing from me I'm feeling a little resistant. But the conversation is less than satisfying. The editor talks about how he's losing weight by eating right and exercising more. There's lots of joking and the word monster has been used to twice. To be fair they are questioning assumptions about fat people. It's making me sad. Not the assumptions. I know them. The amount of internalized oppression.

 

Permalink

 

 

American Sonnet (10)
 
after Lowel
our mothers wrung hell and hardtack from row
      and boll. fenced others'
gardens with bones of lovers. embarking 
      from Africa in chains
reluctant pilgrims stolen by Jehovah's light 
      planted here the bitter
seed of blight and here eternal torches mark  
      the shame of Moloch's mansions 
built in slavery's name. our hungered eyes
      do see/refuse the dark
illuminate the blood-soaked steps of each  
      historic gain. a yearning
yearning to avenge the raping of the womb 
      from which we spring
 
 
Bedtime Story
bed calls. i sit in the dark in the living room 
trying to ignore them

in the morning, especially Sunday mornings 
it will not let me up. you must sleep 
longer, it says

facing south
the bed makes me lay heavenward on my back 
while i prefer a westerly fetal position 
facing the wall

the bed sucks me sideways into it when i  
sit down on it to put on my shoes. this
persistence on its part forces me to dress in 
the bathroom where things are less subversive

the bed lumps up in anger springs popping out to
scratch my dusky thighs

my little office sits in the alcove adjacent to 
the bed. it makes strange little sighs
which distract me from my work 
sadistically i pull back the covers 
put my typewriter on the sheet and turn it on

the bed complains that i'm difficult duty 
its slats are collapsing. it bitches when i 
blanket it with books and papers. it tells me
it's made for blood and bone

lately spiders ants and roaches
have invaded it searching for food
             -Wanda Coleman
 

April 25 2005  2:36 PM                               

The word depression annoys me. It's so imprecise. It's like bad water color in which colors have bled together. I have this laundry list of difficult feelings but none of them are the reason for the curled in a ball way I get. It's about everything and nothing. It's always been this way. And I always get to a point when I know I have to roust myself. Somehow.

 

And so.

 

Then.

 

In the words of Lord Buckley. "When you get to it and you can't do it, well. There you jolly well are aren't you? "

 

Heh.

 

I've been watching Grey's Anatomy for the last few weeks. I haven't really decided if I like it or not but last night they did a pretty cool thing. There was a thread in the show in which a new doctor nods off during a surgery while holding a heart. She nicks the heart with her finger nail but doesn't say anything and if it comes to light she may be fired. At one point she's talking to the woman's husband who says his wife was in the best shape of her life because she had lost a hundred pounds in the course of a year. It isn't clear whether the possible nick is to blame for the difficulty the woman has in recovery but the loss of muscle with rapid weight loss was mentioned and the fact that no one noticed because the woman was still 200 pounds was mentioned in very exact language. "It didn't matter what she weighed, she was an anorexic."

 

When people talk about health and weight they forget about this part. Weight loss may be good for some people but how they lose the weight may not be. I'm always OK with the idea that we need to move more and eat better quality food. And some people may lose weight with a few small changes. And that's OK. I just don't think weight loss, in and of itself,  is a positive goal.

 

The show was all about complexity. Things go wrong. We make bad choices. We are all responsible and we all have to live and die with who we are and what we do. I found it comforting.

 

Permalink

 

April 26 2005  7:50 PM                                

The last restaurant I worked in was a small neighborhood dinner place owned by a married couple. Very talented chefs but not very nice people. It was like being the kid with parents who liked to fight. She worked the grill and he worked the salad/desert station. I worked saute. The kitchen was small and I was literally between them, which wasn't always a happy place. But the food was very fun to cook. They shopped every day at the farmers market and hauled in the stuff we needed themselves. That's a great way to run a restaurant.

 

It was the first semester I was in college. I did three classes on Monday, class on Tuesday and Wednesday morning and went to work five nights a week. Sunday was my only day off but I was usualy reading or writing for a class. It was a lot for a mid forties something grrrl but it was also fun. On one menu I had a dish that was French lentils with carrots and onion topped with some kind of fish. I think it was bass. There was something else but I can't remember. I just remember that I had a professor whose skin was the color of those lentils and I had a crush on him. I would stand at the stove filling pan after pan with lentils thinking about him. It was a very alive time.

 

There's new owner now. She does pretty average diner food but she is very nice. I've eaten there twice. I ate there this morning. I had to go in for a fasting blood test and I was hungry afterward. And tired. Having blood taken makes me tired. So I ate eggs and a bagel and drank coffee. It's always odd being somewhere that isn't what it was when you were part of what it was.

 

Tonight I'm eating red bell pepper pappardelle from The Pasta Shop with fresh peas and ham. It's fresh pea season and I'm crazy for them. I'm still sulking. But maybe I'm almost done. Fresh peas. I'm tellin ya. It might be the peas.

 

Permalink

 

Just Thinking

Got up on a cool morning. Leaned out a window.
No cloud, no wind. Air that flowers held
for awhile. Some dove somewhere.

Been on probation most of my life. And
the rest of my life been condemned. So these moments
count for a lot—peace, you know.

Let the bucket of memory down into the well,
bring it up. Cool, cool minutes. No one
stirring, no plans. Just being there.

This is what the whole thing is about.

William Stafford.

More

Loren on Stafford

 

April 27 2005  8:23 AM                                

When I was eighteen Mom did a cross stitch for me that said - today is the first day of the rest of your life. K put it on a board and framed it. I've lugged it around ever since. It hangs on the wall between the closet and the bathroom. It's the first thing I see as I shuffle out the bedroom door in the morning. If I look. Which I don't

 

Last night, in bed, I told myself to look at it in the morning. But I forgot. I moved around in rote mode. Turned on the radio and made my eggs and tea. I woke up a little earlier than I usually do and I feel like the morning is infinitely expanded. Only a half an hour difference but it feels big.

 

When I sat down to write I remembered the cross stitch and my intention to be affirmative. I don't think of myself as negative, or positive. Even in a deep and protracted sulk I often have moments of clarity. I don't really need to go look at it. I do need to be engaged with my life. And. Maybe I can be. Starting this minute.

 

Got the Stafford following a link from Kristina. The poem she linked was compelling. It is important for awake people to be awake. The line breaks are not right in the side bar poem but they are here and at the place where I linked the poem. It's true. A bad line break may discourage me back to sleep.

 

Heh.

 

And the darkness around us is deep.

 

Permalink

 

I would knit you socks

For DK
Inspired by Pablo Neruda's
Ode to My Socks

 

If I knew the pattern, I would knit you socks
with the days of the week knitted in, and your
initials, and clocks with the time of day.

I would knit in poems of love yet to be,
the words of all the songs,
and colored threads that the birds
would steal to make nests.

I would knit the dictionary into your socks,
the lives of the saints, and
the meanings of dreams.

And I would wind them 'round with sunlight and honey,
teas made from rosehips and coriander
and prayers.

They would keep you warm and safe,
buoyed by love and soft wool,
never let anything harm you,
never wear out.

Not knowing how to knit such socks,
I write poetry.
and practice.

 

            -Willa

 

April 28 2005  9:19 AM                               

Sometimes I start to watch something on TV and I know right away that I oughta turn it off. Sometimes I do and sometimes I don't. But I usually know when I should. Such is the case with Revelations. I keep watching it and I keep wondering why. I read the book. I thought they might be able to do something interesting with it. But there's some obscure and simplistic notion of good and evil that just bugs me. And then there's the girl who is saved from having her organs harvested so that she can be the voice box of the lord. It might not have bugged me if they hadn't accused the doctors of wanting the organs for profit. Seems like a bad message for the time.

 

On the other hand, I hate commercials and either mute them or look at other channels while they're on. And because of this I found Strange Days on Planet Earth. I like it so much I might get the disk from Netflix and watch it again. Going from the weird good guy/bad guy thriller version of the end of days to the more real what happens when we don't pay attention to the earth version of the end of days gave me the spins.

 

Strange Days is also full of hope and stories about interesting people doing good work. There is a farmer who talks about planting trees on land he had previously farmed to protect the river against chemical run off from his crops. Run off that might have made its way to the ocean and the great barrier reef. He says he might make less money but it makes him happy and if he's happy he might live longer. Yep.

 

Willa wrote a poem for Poetry month and I love it. She says she took inspiration from Neruda and links to a site where the poem is taken from a book titled: Full Woman, Fleshy Apple, Hot Moon. I heard about the book awhile ago and put it on the wish list just because of the title.

 

Permalink